Features

The scream with Hazelwood mine fire in background

Morwell artists hit hard by Hazelwood mine fire

By Troy Nankervis and Erin Handley

Published in ArtsHub on Friday 21 March 2014.

Local artists are worried about the overall cultural impact on what is the only gallery space running in Morwell and the Greater La Trobe region. Latrobe Regional Gallery (LRG) has declined to comment on disruptions to its functioning or the effect on its collection. The La Trobe City Council said it would issue a formal statement but has yet to do so. Read full article.

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A Call to Disarm

By Erin Handley.

This article was originally published in Right Now on 31 October 2013. 

Gun violence is seemingly far removed from Australia. Since the 1996 Port Arthur massacre and the ensuing gun reform laws, Australians have dwelt in the smug knowledge that we could teach the US a thing or two about weapons. News of the drug wars in Mexico occasionally ripples to our shores, only to be washed over in the next news cycle.

However, what Australians fail to recognise is that through our use of recreational drugs – not to mention our investment in arms companies – we are complicit in the deaths of thousands of Mexicans. In 2006, former President Felipe Calderón sent federal troops into the state of Michoacán to stop gun violence. Since then, the drug war ravaging Mexico has killed 60,000 people.

In 2011, Liam Pieper wrote an incisive piece for The Lifted Brow about the tendency of ethically-minded Melbournians to fastidiously calculate food miles and research Fair Trade products, but at the same time, they cast a blind eye to the origins of the cocaine they snort into their systems.

“It’s an issue I felt could be addressed with art”

Pieper explores the fate awaiting many ‘drug mules’ who are paid to ingest packages of cocaine, smuggling the drug into Australia. If a package should rupture inside them, they are usually dead within two hours. Pieper also cites instances of violence in Mexico, targeted towards children: 12 bodies, tongues cut out, were piled high in front of a Tijuana elementary school in 2008; and, in Pieper’s words, a “disembodied head was recently found alongside its face – which had been peeled away from the head and stitched onto a soccer ball.”

In comparison to the horrific creativity of such acts of violence, the majority of drug-war deaths occur at gunpoint.

A large shipment of guns arrived in Melbourne earlier this month, in the form of the art installation Disarm, put together by Mexican sculptor and artist Pedro Reyes. It is precisely this gun violence that Reyes is railing against in his art. The exhibition – held at the NGV during the Melbourne Festival – featured 47 instruments on display; each instrument fashioned out of weapons seized from criminal cartels by the Mexican government.

“It’s an issue I felt could be addressed with art,” Reyes told Right Now Radio’s Anna Dorevitch.

Essentially Reyes has taken instruments of death and destruction and transformed them into musical instruments. The instruments are functional, and for the past three weekends, have been played as part of live performances. Right Now Radio’s Ev Tadros spoke of the shock facing these musicians – one flautist expressed the absurdity of putting a shotgun in his mouth, only to try to play it like a flute.

“I believe that someone who kills with a gun is guilty, but much more guilty is the person who invests their money in a company that fabricates weapons”

For Reyes, music creates gathering and community – there’s a certain shared experience through music. This is life-affirming and creative – just the opposite to a gun culture that instils fear and isolation.

Disarm is simultaneously an art installation and a campaign to raise awareness of the human rights abuses perpetrated by the weapons industry. “I believe that someone who kills with a gun is guilty, but much more guilty is the person who invests their money in a company that fabricates weapons,” Reyes said.

“These companies are fully aware that their weapons will be used around the world in crime and war, and war is a business”. Individual investors in arms companies, Reyes suggests, are “responsible for not tens but thousands of deaths”. Sharing such a vast border with the US makes Mexico especially vulnerable to gun violence – their proximity makes it easy to find and purchase guns.

Both Australia and Mexico recently signed the Arms Trade Treaty, adopted by the UN earlier this year. Mexico ratified the treaty in September, making it one of only eight to do so, but Australia still has not taken this crucial step. A legal framework such as the Arms Trade Treaty regulates the lucrative trade in weaponry, but perhaps Reyes, through art and music, has tapped into a more powerful way to disseminate the message that gun violence is an affront to human rights.

Repurposing weapons for art is not a new concept for Reyes – in 2007, he melted down 1500 guns into shovels to plant 1500 tress. The Mexican government heard of his project and offered up seized weapons to create something new; this is how Disarm came to be. Right now, Reyes is working on a large public clock that will chime on the hour. It’s composed out of gun parts, and the message – Reyes chuckles at the pun – is that “it’s time to disarm”.

The way guns are portrayed in film and video games – as sexy or cool – is divorced from their effect in real life, Reyes emphasises. He discourages the perception that guns are the only way to gain respect from a community. “There has to be a cultural shift that may take many years, but nevertheless has to be done,” Reyes says.

Disarm was held from 12 – 27 October at NGV International, Federation Court as part of the Melbourne Festival. You can listen to the whole podcast here. To download, right click and Save Link As.

 

Football stadium

Taking the Mark: Homophobia and the AFL

By Erin Handley.

This article was originally published in Right Now on 10 May 2013 for the Sport and Human Rights issue. Download a PDF version of this article: Taking the Mark.

Jason Ball has been playing AFL football since he was five years old. He said “it’s always been a big part” of his life, but there was a time when he thought he would be cut off from the football world. Not because he wasn’t good at footy, but because he was gay.

“I figured out that I was gay when I was about 12 or 13 years old,” Ball said.

“I fought it for a very long time, and it took me quite a while to come to terms with it because I felt that I would be letting my … community down.”

Jason developed his football skills and began playing for the Yarra Glen Football Club. He dreaded the prospect of coming out to his teammates, because the language and culture of footy made him expect the worst. The jokes and slurs in the football club were tinged with homophobia, and for Jason, they served as a constant reminder that if he came out, he wouldn’t be accepted.

“I had nothing to go upon. I had no examples of gay football players”

“The football club was kind of this bastion of homophobia in terms of the types of language and slurs used around the club,” Ball said.

“Faggot was the first word of every sentence. That was just part of how they talked. And it was used to mean ‘soft’ or ‘weak’. As I got even older there were jokes about how disgusting gay people are – it was this sense of joking around to assert your heterosexuality.” Jason said that players would act ironically in a “gay” way to highlight that they were not.

“I feared getting bullied, I feared getting kicked off the team, and so it was this constant battle for me to hide that side of who I was.”

Although Ball expected to be ostracised, he says that in all honesty, he didn’t know what to expect. “I had nothing to go upon. I had no examples of gay football players, I had no examples of anyone within footy talking about this issue … all I had to go upon were the slurs and the hostility.”

Ball has now become a gay football icon. In speaking out about homophobia in the AFL, Ball has become precisely what he needed as a teenager. He admits that it “would have made a world of difference to me when I was young if I had of known of gay AFL players or if I’d seen the AFL playing the No To Homophobia ads … that would have completely transformed my outlook.”

Jason has received overwhelming media attention in the past few months due to his campaign for change.org. The campaign involved a petition calling for the AFL to air No To Homophobia advertisements during the 2012 grand final, and to hold a “Pride Match”, which would help create a more inclusive and respectful culture towards the LGBTI community within the sporting arena.

The timing was significant – homophobia had been a sore spot for the AFL following an incident where St Kilda’s Steven Milne levelled a homophobic slur at Collingwood’s Harry O’Brien in August last year. Milne was fined $3000 for reportedly calling O’Brien a “fuckin’ homo”, although the Magpie did not make a complaint.

Ball saw this as a missed opportunity for O’Brien to point out that although he is not gay, homophobic insults have no place on the football field.

Ball’s personal story of homophobia he experienced in the country football league made an impact. The petition gained over 28,000 signatures, Ball received a call from AFL CEO Andrew Demetriou, and the No To Homophobia advertisements were played during the two preliminary finals.

Anna Brown, from the Human Rights Law Centre, and a convener for the Victorian Gay and Lesbian Rights Lobby, played a vital role in the development of the No To Homophobia ads. She was impressed that the AFL was the first sporting organisation to announce their support for the campaign.

“The AFL is really a microcosm or a reflection of attitudes in the broader community,” she said. “Playing the ads in the finals means that more people hear our message.”

Brown said that the advertisements were developed as part of a “two-pronged approach to tackling homophobic harassment”. The first prong was law reform – outlawing homophobic, transphobic and biphobic harassment and vilification. The advertisements are the manifestation of the second prong – a social marketing campaign to encourage individuals to take a stand against homophobic harassment.

Legal and social change is crucial, Brown intimates. “At the moment we don’t have any Federal Protections against discrimination, although hopefully this will change soon,” she said. “That’s something that gets lost in the marriage debate. Discrimination has very real impacts on the lives of Lesbian, Gay, Bisexual, Transgener and Intersex (LGBTI) people. LGBTI people lose their jobs and are denied access to critical services simply because of who they are and who they chose to love.”

The advertisements deliberately focus on everyday scenarios and the homophobic comments that are uttered regularly in the workplace.

“Everyone knows that punching someone in the face and calling them a faggot is horrific, a hate crime,” Brown said. The No To Homophobia campaign instead targets less overt types of harassment that can accumulate and prove all the more detrimental for their subtlety.

For many LGBTI people, such harassment is “extremely damaging … it can actually lead to depression, self harm and even suicide, and that’s why we see such high rates of suicide in the LGBTI community as compared to the mainstream population,” Brown said.

Brown is hoping for “an increase in people in normal, everyday situations actually speaking up and saying ‘Hey, that’s not on’ – resolving these sorts of issues in a way that doesn’t necessarily lead to expensive legal proceedings or a formal complaint.”

Screening the anti-homophobia advertisements was a positive step to tackling homophobia in football, but as Ball points out, “that’s not going to solve the problem on its own – there’s still a lot more that can be done.

For Ball, the AFL has been reactionary rather than leading the fight against homophobia, unlike the English Premier League, which has “really owned the issue”.

In the past, the AFL has taken a stance against issues such as racism and violence against women. Homophobia appears to be the next frontier to triumph over.

The AFL has more reasons to publicly condemn homophobia than other subcultures. The football world is peppered with homophobic taunts and stereotypes, and this in turn influences societal perceptions about the gay people.

Ball holds that if the AFL are not part of the solution, then they are part of the problem. “We’re not asking them to tackle global warming or solve poverty in Africa or anything like that. So long as homophobia is part of football culture … it’s in their court to do something about it or else they are part of the problem,” he said.

Ball thinks that “almost without a doubt that there would be gay AFL players” who are unwilling to come out in the current football climate.

“I think that statistically they have to be there,” he said. “I always thought maybe I was the only one, but since launching my campaign I’ve heard from a lot of people at different levels of football who are gay, whether they’ve come out or not.”

The AFL are currently looking into the possibility of holding a Pride Match between last year’s grand finalists, Hawthorne Hawks and Sydney Swans, although there is scope to include more clubs.

Ball isn’t confident that the AFL will hold a Pride Match this year, but says “I’m willing to be patient for the moment.” The AFL, he says, “don’t want to be seen as tokenistic or grandstanding” – they want to be able to substantiate a big event like a Pride Game with policies, education, and training for players. Developing these programs and consulting with the gay community will take time, Ball says.

Ball was invited to address the new draftees at the AFL Players Association induction camp in January this year, but outside of the AFL, he has been focusing on grassroots footy events to involve the wider community. One such project is the Rainbow Cup, organised by Global Footy, who for the past five years have held the Harmony Cup (which promotes multicultural participation in footy).

Ball’s own Yarra Valley Mount District football league is also considering its own pride round in the Yarra Valley. “I think that’s going to be quite substantial … the fact that this is country footy and they’re doing it off their own back – it’s not the AFL forcing it on anyone. They want to do it. They feel a sense of ownership over me and Yarra Glen.”

The issue of homophobia and the AFL gained even more attention when Brock McLean from the Carlton Blues and Dan Jackson from the Richmond Tigers decided to walk alongside Ball and his teammates in Victoria’s Pride March, held in February this year. It was an historic step, with McLean and Jackson becoming the first AFL players to take part in the march.

McLean’s sister Ellie is gay, and though her agonising decision to come out to her family, he witnessed the acerbic culture of shame and silence surrounding homosexuality.

“I’ve always supported my sister no matter what,” he confided.

For McLean, the problem with homophobia reaches far wider than the AFL: “Society has a problem with homophobia,” he said. “We’re still living in the dark ages so to speak … and the fact that we’re still having this conversation is quite sad really.”

“Some of the language that we use that people think is harmless but can have a massive effect on someone who might be hiding their sexuality,” he said.

McLean acknowledges that his high-profile status as an AFL player presented him with an opportunity to take a stance against homophobia. “The AFL is such a powerful tool in Australia, it’s almost like religion. They’ve got the opportunity to do some wonderful things in terms of stamping out homophobia – not just in sport but in society.”

“Personally I don’t feel like I’m going out of my way to do anything different. I’m just standing up for something that I truly believe in,” he said.

Likewise, Daniel Jackson is humble about the impact he made in his decision to march with Ball and McLean and the Yarra Glen Football Club.

“Initially I was probably a little bit hesitant – I didn’t want to draw too much attention to myself, I wasn’t sure how it would be perceived,” he admitted. “I was amazed at the support we got and the appreciation everyone gave us, just for going and attending – we really didn’t do that much.”

He said that the Pride March was an enlightening experience, where it became especially apparent to him that “calling someone gay or calling something gay is really offensive for the gay community”.

“I think it’s something that a lot of straight people never really consider,” he said. “They do it in such a nonchalant way and they just assume that it’s not hurtful to gay people.”

Jackson’s decision was also informed by his work with headspace, Australia’s National Youth Mental Health Organisation. The statistics around youth suicide and young people requiring psychological and psychiatric treatment alarmed him.

“When I found out the rate of suicide among young people who were gay was even higher, that shocked me, and saddened me as well – that young people couldn’t be proud or comfortable with who they are. And they’d hide it, and that in itself was creating all these distresses.”

In 2010, Jason Akermanis opined in his The Herald Sun column that gay AFL players should “stay in the closet”, claiming that “Locker room nudity is an everyday part of our lives and unlike any other work place,” and that coming out “could break the fabric of a club”.

Jackson disagrees, and suggests that it’s not worth adding fuel to the fire of negative comments made by an older generation of footballers.

“I personally think that if someone was to come out at any club they’d be fine,” he said. “We have such a close bond with all our teammates. We already accept them for who they are, so if they were to come out and say they were gay … it would just be taken in its stride and it wouldn’t really change anything.”

This optimistic outlook proved true for Ball, whose fears of rejection and harassment weren’t realised. He didn’t come out to his teammates, but it slowly dawned on them that he was gay. One by one, they let him know that they knew, and that it wasn’t a big deal. “That was the start of a new phase of my footy life where I felt like this huge weight has been lifted off my shoulders. I could talk to these guys about anything now and I never felt more a part of the club than after that moment.”

“I had been involved in the club for so long and they’ve known me for so long that they don’t necessarily see me as gay or straight – just Jason, I’m just their mate,” Ball reflected.

Ball clearly has a bond with his team; he described them as “real heroes” for their decision to walk alongside him in this year’s Pride March. This camaraderie is exactly what Ball, McLean and Jackson all love about footy.

“The thing that I love the most is just the camaraderie,” Jackson said. “Going in there every day and hanging out with your best mates.”

“It’s sort of like having 40 brothers or 40 best mates,” McLean said.

McLean aptly pins down the main issue for gay AFL players: “I think it’s just a fear of the unknown – how they’ll be received, what sort of reaction they’ll get from their teammates, from fans, from sponsors, from fellow competitors, from the leagues that they play in.”

For him, there needs to be a cultural shift. “It’s up to everyone involved to be able to create an environment … that says ‘Well we don’t care what race you are or what your sexual preference is – we’re going to treat you the same as everyone else,’” he said.

Until that culture can be formed, AFL players grappling with their sexuality will continue to be gripped by a fear of the unknown, as Ball was.

For more information about the No To Homophobia campaign, visit their website.